Precious persian carpets in European museums

The hunting ground carpet of the Austrian Museum of Art and Industry, Vienna. Precious persian carpets in European museums

Cecil Edwards states: “This Persian rug has been named first among the world’s most famous carpets. Since it is the sole carpet with a silk weft and pile, some experts really think that the Shekargah carpet is the most beautiful carpet ever woven. Precious persian carpets in European museums

Warp yarn is used to weave some of the designs. It is more delicately woven than all the carpets of the Safavid era because the agricultural knot uses 27 x 29 knots, or 65 x 75 knots, per square inch.

The hunters’ individual efforts are mostly reflected in the hunting scene. Precious persian carpets in European museums
Although the hunters assault with considerable vigor while mounted on horses and equipped with spears, swords, arrows, and bows, they do not adhere to a set technique in this piece. Lions, leopards, wolves, bears, deer, zebras, jackals, and hares are all gregarious animals.

Iranian traditions and customs are thoroughly honored in this hunting ground’s display. To keep the hunter from being overly exhausted, they frequently drive the game and prepare it for the hunter in Iran and Europe. In the center, four pairs of golden dragons are flying two by two, with a green bergamot in the shape of an eight-pointed star. The lachs repeat a quarter of the tangerine pattern in each of the four corners, as is common in Iranian patterns.

This Silk carpet‘s border is regarded as one of its most exquisite and striking features. There are rows of winged angels in the fields offering fruit to one another in bowls adorned with spiral and flower designs and the border lettering is red-purple in hue. This carpet was unquestionably created by one of the court painters, and as Dr. F.R. Martin and others think, by Sultan Muhammad, Shah Tahmasab’s well-known court painter. What a masterpiece of movement and talent that artist possessed. It fully includes the highest place. Like Sultan Muhammad in the previous (1555/0962), this carpet was probably produced in the middle of the 16th century if the pattern is indeed his. Precious persian carpets in European museums

This carpet’s weaving is credited to Kashan because the city’s residents were accustomed to weaving silk products. While it is undeniable that some silk carpets were made in this region in the 16th century, this does not prove anything because any workshop can produce these carpets with the help of talented and competent artisans. Despite this, Kashan has consistently produced the most elegant and magnificent silk carpets when compared to other Iranian towns.

Some experts believe that the light juniper hue of the carpet’s text is its weakest feature; nonetheless, it’s probable that the carpet’s color was deeper and more exquisite when it was woven.

Chelsea carpet; Victoria and Albert Museum, London

According to Cecil Edwards, “This renowned carpet has been known as the Chelsea Silk rug for the past fifty years since it was presented to the Victoria and Abert Museum by a trader on King’s Road, Chelsea. This carpet, according to some scholars, was woven before the Ardabil carpet. Although this is conceivable, there isn’t a compelling argument to support the theory. This carpet most likely belongs to the same group as Ardabil carpet and is unquestionably connected to it. Precious persian carpets in European museums

*Click on the opposite link to see precious Iranian handmade and machine combined silk carpets*

Without a doubt, one of the most beautiful carpets in the world is the Chelsea carpet. According to Kendrick and Tater Sal, who retained this carpet, it is on par with the Ardabil carpet at the Victoria & Albert Museum in terms of elegance and fine detail. Additionally,

“This carpet is the most exquisite of all Persian rug designs in the world.” We must concur with these professionals. Actually, the combination of such fantastic textures and imaginative patterns is exquisite. The authenticity of this carpet is identical to that of Ardabil carpet. Additionally, the word string is purple garlic, which is exquisitely made with azure bergamot, and the animal figure is really well formed.

and its weaving is similar to that of silk Ardabil carpet. It has more knots per inch than Ardabil carpet since each inch uses 21 x 22 knots, which is equal to 55 × 58 knots in each agricultural knot. This rug is in great shape and has been well-protected.

Carpet full of flowers and animals – Museum of Arts and Crafts, Vienna

Cecil Edwards states: “This Style and maktab of Persian carpet is among the most exquisite examples of the entire animal throat group that we have ever seen, and as such, it holds a prominent place among the most valuable and exquisite carpets. It is made of silk, just like the Ardabil carpet, the hunting ground carpet in the Vienna Museum, and the Chelsea carpet. It features 17 x 19 knots per square inch, very similar to Ardabil carpet. With the exception of the large double blossom in the center of the upper and lower halves, the whole pattern is expertly woven and intricately designed. Whether the two large flowers are weaved obliquely, which is a challenging work, the poor texture may be the cause of their ugly appearance and distortion. Precious persian carpets in European museums

This rug’s inner border is composed of equal-sized frames with lettering woven within each one, while the border has spiral patterns with intricately woven slimes. It must be acknowledged that no design can match the ornamental quality of these borders with the frames holding the text. The carpet’s inner margins are yellow, the border is garlic green, and the writing is bright red.

Where are these group’s carpets woven? They have been ascribed to Herat or Mashhad, in eastern Iran. However, this doesn’t seem plausible. Although it may have been woven in one of these two locations, I think it most closely resembles Iranian Maghrib Pazyryk carpet. However, once more, we are unsure of the right response to this query. This carpet was produced toward the end of the sixteenth century, according to experts.

A potted rug with red text – Victoria Albert Museum

“An example of a vase-patterned rug and its various forms should also be included among the eight most exquisite Origins of Persian carpet in the world,” argues Cecil Edwards. It is hardly unexpected that the vase pattern appears more frequently than other motifs among the carpets that have survived from the Safavid era.as it is among the greatest carpet designs ever created.

Numerous ancient Iranian forms and motifs that were imitated over the period of four centuries have been identified and made clearer by this study. All current carpets are woven with these designs, which have been utilized by carpet designers worldwide. There are over 50 rugs with vase designs in museums and private collections worldwide, if we also include the fragments that are the remnants of enormous carpets. The most significant collections have examples of this carpet style. Selecting an existing carpet board that best embodies the designer’s vision was a difficult process; the chosen carpet needed to have the most exquisite design of its kind.

Trench pattern carpet with flowers and animals – Poldi Potsoli Museum, Milan

“It appears that this beautiful carpet has a resemblance and affinity to the Chelsea carpet; its texture is the same, and the same tranquility is created in the person, soft shades of red and azure,” Cecil Edwards said. The warp and weft are made of silk, with 18 x 20 knots per inch, same as their London-based relative.

It is more finely woven than the Ardabil carpet, but not as finely as the Chelsea carpet. In contrast to the aforementioned rug, warp thread is used to weave portions of the Milan rug’s motifs. Along with an inscription on its broad border, the text’s animal and floral forms, as well as the exquisite bergamot in the center, are visible. Another border is made out of leaves and flowers that were expertly woven and constructed.

According to knowledgeable scholars, this carpet was woven under Shah Tahmasb’s rule in the middle of the 16th century, just like its relatives the Ardabil and Chelsea Persian rug. However, like the Ardabil carpet, its origin is up for debate. There are four distinct examples among the rugs that Edwards selected. The Sheikh Safi carpet is the most well-known example that Kashan is credited with creating. Doubt can arise from judging the knot, color, or pattern, as well as the kind of weft, the type of silk or wool used, and the specifics of the texture.