handmade kashan rug

1. Applied art: Applied art is a kind of art that is produced throughout time with a focus on historical, cultural, social, and human themes on everyday objects. Most academics and professionals in the field of art agree with this description, particularly when it comes to traditional antique items. handmade kashan Persian rug .
2. The visual art carpet is a historically significant piece of art whose roots are thought to lie in the visual arts culture. The visual arts are defined as those forms of art that use vision to directly build relationships with people; the pattern and color of the carpet embodies this feature.
3. rural art (production); among the earliest products of primitive societies and societies established in early villages, carpets are the origin of many arts, including carpets. According to Herbert Read: “It is widely acknowledged that hand-woven carpets have social roots, just like many other human accomplishments. It is simpler to consider it as an old village because it is primitive and has rustic villages. The sense of nature is one of the qualities he looks for in a rudimentary form of rural art. handmade kashan rug

The hand-woven carpet is one of the ancient arts that directly draws inspiration from nature for its designs and compositions.

*Click on the opposite link to see precious Iranian handmade and machine combined silk carpets*

Happiness: By their very nature, rural arts aim to simplify and maximize happiness in life.

Rural art is not interested in directly copying nature; rather, it is more concerned with improving your life than with casting a negative light on ugly art. Its abstract interpretation of the living environment reflects the role taken from nature, objects, and surroundings in an abstract form.

Minimal influence: to maintain traditions and symbols, rural art is conservative and opposes Kurdish modifications. A basic geometric map could last for hundreds of years. A villager knows instinctively that combining a few patterns and colors may produce unlimited diversity, and all he wants is for what he has built to be joyful.  Applied art: Rural art is a used (applied) art form; it is not the same as fine art, or absolute art. handmade kashan rug

Generality of rural art: One of the key characteristics of rural art is its universality. Though there are variations in the specifics, it appears that he has brought forth an industry, a job, and an abstraction technique from the four corners of the globe. The fundamental components of rural art can exhibit a wide range of styles depending on the traditional, climatic, and economic factors. handmade kashan rug

Rural art does not refer to the artwork produced by villagers copying the styles of more affluent social classes. The works that cultured people create out of love for a simple life cannot be intended in any manner, nor can the raw reflection of cultured people’s art be intended in any way. Rural art is defined as creations created by “less cultured” peoples in accordance with their unique traditions and devoid of outside influences, or at the very least, the lingering effects of a previous social stage. While unlikely, it is conceivable for a tire from one country to be a transnational tire. handmade kashan rug

Handwoven Silk carpet are an example of traditional art. The arts and crafts that are considered traditional are products of past creations that have been passed down to us together with their structural symbolism and conventions. They have been directly embodied and produced by humans, and over time, this value of presence has Given that the carpet is tied to the natural world, has an artistic quality, and contributes significantly to its worth, the following definitions are provided:

“Traditional arts are subsistence economy”

The villages become impoverished and backward as a result of traditional arts and performances.

Carpet that is handwoven is a traditional product. This idea is always predicated on some sort of conventional bias. It is antagonistic to progress and modernity. “Traditional arts and industries are doomed to decay.” handmade kashan rug

Customary arts in the modern era

Traditional arts can be static or dynamic depending on their historical form, but they are inherently anti-developmental and regressive due to their time function.

Static traditional arts and industries are outdated creations or sectors of the economy that typically lack the resilience to adapt to new developments and replace more sophisticated products.

Examples of these include pottery, copper plates and carriages, among other items. Dynamic traditional arts are commodities or products that have managed to endure over time while adhering to their core values and continuing to exist in that particular line of work. It is zilo, carpets, rugs, and architecture. handmade kashan rug

A, handwoven Persian carpet designs is the epitome of a dynamic traditional art form since, despite few production method changes from long ago, its appeal and worth extend far beyond its function as a fantasy and ornamental object in today’s society.

1. Art pertaining to humans: Humans are integral to the process of attaining the individuality and perfection of rugs because, as beings of nature, humans possess numerous natural qualities, including understanding, reasoning, feeling, taste, and thought.

B, Man, as an influencing force, can shape the carpet’s identity by his talent, awareness, and experience.

C, cultural fusion: Carpet is an art form that has been refined in the crucible of many cultures and civilizations, if not through transversal (natural) transfer, then at least through coercion, imposition, or even dominance. It has been enhanced and borrowed from other cultures.

 Handwoven carpets’ beauty

The Greek school’s most basic concept states that “art is beautiful in its essence.”

Thomas Aquinas once said, “Whatever gives us pleasure is beautiful.”

The definitions state that a hand-woven carpet is a lovely example of ancient art that is pleasing to behold.

Eric Newton holds the view expressed in the book “The Meaning of Beauty” that beauty is situational and relative. Aside from the fact that beauty varies with time and place, he believes that experience and good taste (consciousness) are the most useful qualities in recognizing beauty. (meaning of quote) Style and maktab of Persian carpet

Definitions of what makes a handwoven carpet beautiful:

1. Beauty: Although beauty is a relative concept, handwoven carpets have long been considered to be works of beautiful art. This classification is mostly based on the attractive and desirable visual effects of their fluid and flexible weave, which Eric Newton explains in great detail.
2. The passage of time: the beauty of a hand-woven carpet lies in the way it embodies enduring ideals and experiences that have been shaped by several historical and social contexts to create the perception of this period. handmade kashan rug
3. Human instinct: People are naturally drawn to beauty, and they can apply their intuitive sensory awareness to handwoven carpets by using their hands to weave them.
4. The influence of nature: the makers of the carpet were able to realize the first arrangement in their mental themes through their initial encounters with nature, direct perception of beauty, and transfer of that sensation of beauty through the hand-mind connection on the carpet. handmade kashan rug
5. The impact of myths and legends: Some themes and features seen in carpets and occasionally other visual arts have a history that can be traced back to a remote and unknown past. These origins are typically found in the form of beliefs held in oral traditions and myths and legends. Additionally, the old motifs occasionally still exist and occasionally can be seen in the exquisite shaping and carving done by the carpet makers.

6. Aesthetics (diagnostic of beauty): The patterns and colors of the carpet play a leading role in its visual appeal as they also define its creative qualities. They also contribute to the tire’s overall beauty. It shows up.
7. A rustic carpet’s beauty

A: Rural motifs: Villagers or settled nomads who have an innate or intuitive understanding of nature translate these motifs to the carpet, referring to them as “mental motifs.”

B: Rural carpets (weaving): In rural carpets, the weaver transfers mental patterns onto the carpet through memory or transmission (a tiny patterned woven sample that has persisted from generation to generation) and influences that have been accepted over many years from various ethnic, regional, and historical issues with an abstract form. handmade kashan rug

C: Nomad – Show 32: The human role of the weaver directly influences the aesthetic impression of beauty in rural weaves, which may be seen as the product of a kind of raw hand and faulty calculations. As a result, the deliberate order and accuracy of the woven urban carpet are absent from the country carpet.

D: Types of rural braids: There is a great deal of variation in the shapes (product types) of rural braids, as well as in their roles and colors. The carpet designs resemble village weaving in terms of shape.

(weaving)  The elegance of city carpet

A: Designed or urban themes: These are the same motifs that originated as rural motifs but were subject to stringent laws and regulations in order to satisfy the opulent and aesthetically refined preferences and demands of the urban populace.

‌‌‌B. Urban carpet (weaving): This is a carpet painted and made with a particular pattern or map by an experienced and skilled artisan. The Origins of Persian carpet‘s influence on the observer’s aesthetic impression is typically attributed to the precision with which colors and patterns are arranged, as well as occasionally to the kind and quality of materials employed. The phrase “urban carpet” is often used to describe carpets that have maps and are typically controlled

1. Type of urban carpets: Compared to rural carpets, urban carpet patterns are more constrained, and the beauty of the carpet is largely dependent on the master designer and dyer’s expertise.

Generally speaking, the distinct patterns and colors of an Iranian hand-woven carpet set it apart from other comparable goods. The Persian carpet of Iran possesses this potential. Since the hand-woven carpet’s design and color are the outcome of Iranian settlers, any attempt to lessen this identity’s effect will rob the Iranian carpet of its meaning.